{"id":178,"date":"2013-06-03T10:18:06","date_gmt":"2013-06-03T14:18:06","guid":{"rendered":"http:\/\/magneticpiano.com\/?page_id=178"},"modified":"2022-11-02T20:35:56","modified_gmt":"2022-11-03T00:35:56","slug":"audio-examples","status":"publish","type":"page","link":"https:\/\/magneticpiano.com\/?page_id=178","title":{"rendered":"Audio Examples 1"},"content":{"rendered":"<h2>Excerpts from compositions (mostly mine)<\/h2>\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=YH4aXAJJd6E\" target=\"_blank\" rel=\"noopener\">Elsewhere is a Negative Mirror<\/a>, for piano with electromagnets &#8211; introduction<\/strong><br \/>\nIncludes notes struck by the piano player, each of which activates the electromagnet suspended above, creating the main body of the sound.<\/p>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-178-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/elsewhere-is-a-negative-mirror-intro.mp3?_=1\" \/><a href=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/elsewhere-is-a-negative-mirror-intro.mp3\">http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/elsewhere-is-a-negative-mirror-intro.mp3<\/a><\/audio>\n<p><strong><a href=\"https:\/\/soundcloud.com\/per-bloland\/negativemirrorii\" target=\"_blank\" rel=\"noopener\">Negative Mirror II<\/a>, for flute, clarinet, violin, cello, percussion, and piano with electromagnets\u00a0&#8211; excerpt 1<br \/>\n<\/strong>This except is provided as a reference for the subsequent example. Though it does include the sound of the electromagnetically-prepared piano, it is the other instruments that are of interest. A recording of these instrumental sounds is played back through the electromagnets at the end of the piece (excerpt 2).<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-178-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/negative-mirror-instr-excpt.mp3?_=2\" \/><a href=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/negative-mirror-instr-excpt.mp3\">http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/negative-mirror-instr-excpt.mp3<\/a><\/audio>\n<p><strong>Negative Mirror II &#8211; excerpt 2<br \/>\n<\/strong>Drawn from the final moments of the piece. As explained above, a recording of an instrumental section from earlier in the composition is played back through the electromagnets. All sounds heard in this excerpt are created by vibrating piano strings.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-178-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/negative-mirror-end.mp3?_=3\" \/><a href=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/negative-mirror-end.mp3\">http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/negative-mirror-end.mp3<\/a><\/audio>\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=WuOS2Cx9qTs\" target=\"_blank\" rel=\"noopener\">Of Dust and Sand<\/a> &#8211; for alto saxophone and piano with electromagnets<\/strong><br \/>\nIn this piece a subset of the electromagnets remains active throughout, the performer physically silencing the strings by pressing down with fingertips. Thus the instrument becomes a kind of anti-piano \u2013 lifting a finger frees a string to vibrate, producing sound. In addition, various items, such as paper and a plastic ruler, rest directly on the strings further altering the timbre.<br \/>\nThe link under the title above leads to a youtube video that shows the setup fairly well.<br \/>\nExcerpt 1 &#8211; mm. 22-51<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-178-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/of-dust-and-sand-m22-51.mp3?_=4\" \/><a href=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/of-dust-and-sand-m22-51.mp3\">http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/of-dust-and-sand-m22-51.mp3<\/a><\/audio>\n<p>Excerpt 2 &#8211; mm. 65-97<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-178-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/of-dust-and-sand-m65-97.mp3?_=5\" \/><a href=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/of-dust-and-sand-m65-97.mp3\">http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/of-dust-and-sand-m65-97.mp3<\/a><\/audio>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=v9Svig3ErAE\" target=\"_blank\" rel=\"noopener\">Medusa in Fragments<\/a>, by <a href=\"http:\/\/stevericks.com\/\" target=\"_blank\" rel=\"noopener\">Steve Ricks<\/a><br \/>\nSteve sent me a few audio files while he was composing this piece, which I ran through the electromagnets. The following files were the results (not all of which made it into his piece). The voice is that of soprano <a href=\"http:\/\/www.guybarzilayartists.com\/Jennifer-Welch-Babidge\" target=\"_blank\" rel=\"noopener\">Jennifer Welch-Babidge<\/a>.<br \/>\nKeep in mind with these &#8211; the only things generating sound are the piano strings. Nothing can be heard of the actual original audio files.<br \/>\nExcerpt 1 &#8211; spoken voice<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-178-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-talk-all.mp3?_=6\" \/><a href=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-talk-all.mp3\">http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-talk-all.mp3<\/a><\/audio>\n<p>Excerpt 2 &#8211; the same spoken voice, but with a plastic ruler resting on the piano strings<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-178-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-talk-all-prepped.mp3?_=7\" \/><a href=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-talk-all-prepped.mp3\">http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-talk-all-prepped.mp3<\/a><\/audio>\n<p>Excerpt 3 &#8211; sung, with some light effects on the original audio file<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-178-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-song-all.mp3?_=8\" \/><a href=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-song-all.mp3\">http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-song-all.mp3<\/a><\/audio>\n<p>Excerpt 4 &#8211; the same sung passage as above, again with a plastic ruler on the strings<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-178-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-song-all-prepped.mp3?_=9\" \/><a href=\"http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-song-all-prepped.mp3\">http:\/\/magneticpiano.com\/wp-content\/uploads\/2022\/11\/ricks-medusa-song-all-prepped.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>Excerpts from compositions (mostly mine) Elsewhere is a Negative Mirror, for piano with electromagnets &#8211; introduction Includes notes struck by the piano player, each of which activates the electromagnet suspended above, creating the main body of the sound. Negative Mirror II, for flute, clarinet, violin, cello, percussion, and piano with &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":42,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"template-full-width.php","meta":{"jetpack_post_was_ever_published":false},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P41WFm-2S","_links":{"self":[{"href":"https:\/\/magneticpiano.com\/index.php?rest_route=\/wp\/v2\/pages\/178"}],"collection":[{"href":"https:\/\/magneticpiano.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/magneticpiano.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/magneticpiano.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magneticpiano.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=178"}],"version-history":[{"count":23,"href":"https:\/\/magneticpiano.com\/index.php?rest_route=\/wp\/v2\/pages\/178\/revisions"}],"predecessor-version":[{"id":529,"href":"https:\/\/magneticpiano.com\/index.php?rest_route=\/wp\/v2\/pages\/178\/revisions\/529"}],"up":[{"embeddable":true,"href":"https:\/\/magneticpiano.com\/index.php?rest_route=\/wp\/v2\/pages\/42"}],"wp:attachment":[{"href":"https:\/\/magneticpiano.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}